The 33rd ACADEMY AWARDS: 1960

It Started in Naples

• ART DIRECTION (Color) -- Art Direction: Hal Pereira, Roland Anderson; Set Decoration: Sam Comer, Arrigo Breschi

Psycho

• ACTRESS IN A SUPPORTING ROLE -- Janet Leigh {"Marion Crane"}
• ART DIRECTION (Black-and-White) -- Art Direction: Joseph Hurley, Robert Clatworthy; Set Decoration: George Milo
• CINEMATOGRAPHY (Black-and-White) -- John L. Russell
• DIRECTING -- Alfred Hitchcock

A Sport Is Born

• SHORT SUBJECT (Live Action) -- Leslie Winik, Producer

Visit to a Small Planet

• ART DIRECTION (Black-and-White) -- Art Direction: Hal Pereira, Walter Tyler; Set Decoration: Sam Comer, Arthur Krams

The 34th ACADEMY AWARDS: 1961

Breakfast at Tiffany's

• ACTRESS -- Audrey Hepburn {"Holly Golightly"}
• ART DIRECTION (Color) -- Art Direction: Hal Pereira, Roland Anderson; Set Decoration: Sam Comer, Ray Moyer
• Winner: MUSIC (Music Score of a Dramatic or Comedy Picture) -- Henry Mancini
• Winner: MUSIC (Song) -- "Moon River," Music by Henry Mancini; Lyrics by Johnny Mercer
• WRITING (Screenplay--based on material from another medium) -- George Axelrod

One-Eyed Jacks

• CINEMATOGRAPHY (Color) -- Charles Lang, Jr.

Summer and Smoke

• ACTRESS -- Geraldine Page {"Alma Winemiller"}
• ACTRESS IN A SUPPORTING ROLE -- Una Merkel {"Mrs. Winemiller"}
• ART DIRECTION (Color) -- Art Direction: Hal Pereira, Walter Tyler; Set Decoration: Sam Comer, Arthur Krams
• MUSIC (Music Score of a Dramatic or Comedy Picture) -- Elmer Bernstein

The 35th ACADEMY AWARDS: 1962

Hatari!

• CINEMATOGRAPHY (Color) -- Russell Harlan

The Man Who Shot Liberty Valance

• COSTUME DESIGN (Black-and-White) -- Edith Head

My Geisha

• COSTUME DESIGN (Color) -- Edith Head

The Pigeon That Took Rome

• ART DIRECTION (Black-and-White) -- Art Direction: Hal Pereira, Roland Anderson; Set Decoration: Sam Comer, Frank R. McKelvy

The 36th ACADEMY AWARDS: 1963

Come Blow Your Horn

• ART DIRECTION (Color) -- Art Direction: Hal Pereira, Roland Anderson; Set Decoration: Sam Comer, James Payne

Hud

• ACTOR -- Paul Newman {"Hud Bannon"}
• Winner: ACTOR IN A SUPPORTING ROLE -- Melvyn Douglas {"Homer Bannon"}
• Winner: ACTRESS -- Patricia Neal {"Alma"}
• ART DIRECTION (Black-and-White) -- Art Direction: Hal Pereira, Tambi Larsen; Set Decoration: Sam Comer, Robert Benton
• Winner: CINEMATOGRAPHY (Black-and-White) -- James Wong Howe
• DIRECTING -- Martin Ritt
• WRITING (Screenplay--based on material from another medium) -- Irving Ravetch, Harriet Frank, Jr.

Love with the Proper Stranger

• ACTRESS -- Natalie Wood {"Angie"}
• ART DIRECTION (Black-and-White) -- Art Direction: Hal Pereira, Roland Anderson; Set Decoration: Sam Comer, Grace Gregory CINEMATOGRAPHY (Black-and-White) -- Milton Krasner
• COSTUME DESIGN (Black-and-White) -- Edith Head
• WRITING (Story and Screenplay--written directly for the screen) -- Arnold Schulman

A New Kind of Love

• COSTUME DESIGN (Color) -- Edith Head

Papa's Delicate Condition

• Winner: MUSIC (Song) -- "Call Me Irresponsible," Music by James Van Heusen; Lyrics by Sammy Cahn
• MUSIC (Scoring of Music--adaptation or treatment) -- Leith Stevens

Wives and Lovers

• COSTUME DESIGN (Black-and-White) -- Edith Head

The 37th ACADEMY AWARDS: 1964

Becket

• ACTOR -- Richard Burton {"Thomas Becket"}
• ACTOR -- Peter O'Toole {"King Henry II"}
• ACTOR IN A SUPPORTING ROLE -- John Gielgud {"King Louis VII of France"} ART DIRECTION (Color) -- Art Direction: John Bryan, Maurice Carter; Set Decoration: Patrick McLoughlin, Robert Cartwright
• CINEMATOGRAPHY (Color) -- Geoffrey Unsworth
• COSTUME DESIGN (Color) -- Margaret Furse
• DIRECTING -- Peter Glenville
• FILM EDITING -- Anne Coates
• MUSIC (Music Score--substantially original) -- Laurence Rosenthal
• BEST PICTURE -- Hal B. Wallis, Producer SOUND -- Shepperton Studio Sound Department, John Cox, Sound Director
• Winner: WRITING (Screenplay--based on material from another medium) -- Edward Anhalt

The Fall of the Roman Empire

• MUSIC (Music Score--substantially original) -- Dimitri Tiomkin

Seven Days in May

• ACTOR IN A SUPPORTING ROLE -- Edmond O'Brien {"Senator Raymond Clark"}
• ART DIRECTION (Black-and-White) -- Art Direction: Cary Odell; Set Decoration: Edward G. Boyle

Where Love Has Gone

• MUSIC (Song) -- "Where Love Has Gone," Music by James Van Heusen; Lyrics by Sammy Cahn

The 38th ACADEMY AWARDS: 1965

In Harm's Way

• CINEMATOGRAPHY (Black-and-White) -- Loyal Griggs

The Slender Thread

• ART DIRECTION (Black-and-White) -- Art Direction: Hal Pereira, Jack Poplin; Set Decoration: Robert Benton, Joseph Kish
• COSTUME DESIGN (Black-and-White) -- Edith Head

The Spy Who Came In from the Cold

• ACTOR -- Richard Burton {"Alec Leamas"}
• ART DIRECTION (Black-and-White) -- Art Direction: Hal Pereira, Tambi Larsen, Edward Marshall; Set Decoration: Josie MacAvin

The 39th ACADEMY AWARDS: 1966

Alfie

• ACTOR -- Michael Caine {"Alfie"}
• ACTRESS IN A SUPPORTING ROLE -- Vivien Merchant {"Lily"}
• MUSIC (Song) -- "Alfie," Music by Burt Bacharach; Lyrics by Hal David
• BEST PICTURE -- Lewis Gilbert, Producer
• WRITING (Screenplay--based on material from another medium) -- Bill Naughton

Herb Alpert and the Tijuana Brass Double Feature

• Winner: SHORT SUBJECT (Cartoon) -- John Hubley and Faith Hubley, Producers

Is Paris Burning?

• ART DIRECTION (Black-and-White) -- Art Direction: Willy Holt; Set Decoration: Marc Frederix, Pierre Guffroy
• CINEMATOGRAPHY (Black-and-White) -- Marcel Grignon

The Naked Prey

• WRITING (Story and Screenplay--written directly for the screen) -- Clint Johnston, Don Peters

Seconds

• CINEMATOGRAPHY (Black-and-White) -- James Wong Howe

The Winning Strain

• SHORT SUBJECT (Live Action) -- Leslie Winik, Producer

The 40th ACADEMY AWARDS: 1967

Barefoot in the Park

• ACTRESS IN A SUPPORTING ROLE -- Mildred Natwick {"Mrs. Ethel Banks"}

The 41st ACADEMY AWARDS: 1968

The Odd Couple

• FILM EDITING -- Frank Bracht
• WRITING (Screenplay--based on material from another medium) -- Neil Simon

Romeo and Juliet

• Winner: CINEMATOGRAPHY -- Pasqualino De Santis
• Winner: COSTUME DESIGN -- Danilo Donati
• DIRECTING -- Franco Zeffirelli
• BEST PICTURE -- Anthony Havelock-Allan and John Brabourne, Producers

Rosemary's Baby

• Winner: ACTRESS IN A SUPPORTING ROLE -- Ruth Gordon {"Minnie Castevet"}
• WRITING (Screenplay--based on material from another medium) -- Roman Polanski

Windy Day

• SHORT SUBJECT (Cartoon) -- John Hubley and Faith Hubley, Producers

The 42nd ACADEMY AWARDS: 1969

Goodbye, Columbus

• WRITING (Screenplay--based on material from another medium) -- Arnold Schulman

Of Men and Demons

• SHORT SUBJECT (Cartoon) -- John Hubley and Faith Hubley, Producers

Paint Your Wagon

• MUSIC (Score of a Musical Picture--original or adaptation) -- Adaptation score by Nelson Riddle

The Sterile Cuckoo

• ACTRESS -- Liza Minnelli {"Pookie Adams"}
• MUSIC (Song--Original for the Picture) -- "Come Saturday Morning," Music by Fred Karlin; Lyrics by Dory Previn

True Grit

• Winner: ACTOR -- John Wayne {"Rooster Cogburn"}
• MUSIC (Song--Original for the Picture) -- "True Grit," Music by Elmer Bernstein; Lyrics by Don Black